The Mountain Touch

Section 2

Ruben BrulatBio

Ruben Brulat’s works are nearly always born out of a travel experience and a journey undertaken by the artist to reach some of the remotest parts of the world. Nature is where and how Brulat pursues his personal need to understand where and why we exist.
His pictures depicting his camouflaged naked body in the mountains, forests, deserts, volcanos and glaciers are famous – unpolluted environments where the fusion between human being and natural elements is manifested via actions of a performative nature. The attempt to connect with the earth, feel its substance and become one with nature evoke sentiments of both strength and fragility.
In the video Doigt, voir dans le vert des jungles, filmed in the forests of the Ruwenzori mountain range in Africa, the camera focuses on the moment when the artist’s finger enters into contact with the vegetation. The act has an alchemic feel of the encounter between human body and the primary forces of nature.

Ruben Brulat

Rouge Hanche, 2022
Giclée Hahnemühle Photo Rag Pearl

Courtesy the artist and Ncontemporary, Milan-London-Venice

Forests for Climate Stability

Services rendered by trees to our planet range from carbon sequestration to the production of oxygen, to the conservation of the ground and the regulation of the water cycle. Trees support both natural and human food systems and provide shelter for numberless species, humankind included, via construction materials. While all forest ecosystems are important, tropical forests are essential for the planet’s equilibrium and for the very survival of the human species. Apart from the loss of an important player in atmospheric carbon sequestration, deforestation and forest degradation in the great tropical forests cause serious environmental impact, also thanks to their effects on climate regulation.1
Since 1990, primary forest surface – now present only in tropical and boreal zones – has diminished by more than 80 million hectares and more than a third of the forest surface has been lost compared to the time before the development of human civilisation.2
Carbon sequestration is the first and most evident service offered by our global forests. But they also play an even more important role in climate stability, thanks to their releasing large quantities of water vapour into the atmosphere that, by diminishing air pressure in the lower atmosphere, facilitates the flow of moist air from the oceans. Known as the “biotic pump” and postulated first by two Russian physicists, this mechanism is capable of transporting water vapour over huge distances far from the oceans, thus guaranteeing rainfall in many inland areas.3 In South America, the River Plate basin depends on evaporation from the Amazon rainforest for 70% of its water resources, and western China, which has the largest expanses of cereal crops, depends for over 80% of its waters resources on humidity recycled from the Euro-Asiatic forests (from Scandinavia to east Russia).4
This capacity for climate regulation is guaranteed above all by the great natural or unmanaged forests that are not disturbed by human actions. To safeguard them should be an absolute top priority within the context of the progressive changes of the global climate.


— Francesco Meneguzzo, Federica Zabini

Institute of BioEconomy, CNR - Sesto Fiorentino (FI) CAI Central Scientific Committee

  1. E. Gies, “More than carbon sticks”, Nature Water, 1(10), 2023, pp. 820–823. LINK→
  2. M. Bologna, G. Aquino, “Deforestation and world population sustainability: a quantitative analysis”, Scientific Reports, 10(1), 2020, 7631. LINK→
  3. A. M. Makarieva, A. V. Nefiodov, A. D. Nobre, M. Baudena, U. Bardi, D. Sheil, S. R. Saleska, R. D. Molina, A. Rammig, “The role of ecosystem transpiration in creating alternate moisture regimes by influencing atmospheric moisture convergence”, Global Change Biology, 29(9), 2023, 2536–2556. LINK→
  4. R. J. Van Der Ent, H. H. G. Savenije, B. Schaefli, S. C. Steele-Dunne, “Origin and fate of atmospheric moisture over continents”. Water Resources Research, 46(9), 2010.LINK→

Bianca Lee VasquezBio

Bianca Lee Vasquez’s research is focused on formalising invisible aspects and nuances that we often do not notice. Fascinated by the deep bond that links human beings to everything that surrounds us and conscious of the natural forces that interact with our biological and mental aspects, the artist gives shape to installation-type works that oblige us to look at reality. Using her body, both as a physical presence (the artist often proposes performative actions) and evoked in a symbolic way, is a cornerstone of her practice.
In Dirt High Series, Bianca Lee Vasquez brings a quantity of fertile composted earth into the gallery space onto which she places terracotta figures. With their sinuous forms and archaic appearance, they recall concepts of femininity, fertility, symbiosis and metamorphosis. The artist evokes the primordial symbiotic bond that ontologically links human beings to the Earth, bringing to mind knowledge and perceptions of archaic civilisations that are still very strong in indigenous populations.
Referring to the theme of the exhibition, the work questions a series of recent scientific studies: firstly those centred on investigating the antidepressive effect on the human mind of the bacterium Mycobacterium vaccae, present in the ground and capable of generating a feeling of happiness thanks to an increase in serotonin and norepinephrine levels in the blood. And secondly those concerned with the beneficial impact on cerebral activity of geosmin, a substance produced by various classes of micro-organisms, among which cyanobacteria and actinomycetes, released into the air via an aerosol of minuscule particles when rain drops touch the ground, generating the typical smell of rain and wet earth, technically known as “petrichor”.

Bianca Lee Vasquez

Dirt High Series, 2021–2024
Installation

Courtesy the artist and Sainte Anne Gallery, Paris

Smell, the “Primordial Sense”

The nose can be considered the most external part of our brain.
In the olfactory epithelium, olfactory sensory neurons are present, whose receptors receive odorous stimuli and then transmit them directly to the cerebral cortex, without the mediation of the thalamus, as occurs for other sensorial systems.
Unlike other neurons, olfactory neurons can constantly regenerate to counteract the dangers deriving from their external position (attack from external agents such as viruses, bacteria).
Among the areas of the brain that are directly activated by olfactory neurons, some make up part of the limbic system – such as the amygdala, hippocampus and hypothalamus – and are closely linked to processing emotions and memory. This extensive olfactory network demonstrates the importance held by the sense of smell for mediating physiological and behavioural responses to emotionally stimulating events in many animals. It also explains why smell has such a rapid effect on modulating emotional responses, and why it is the most efficient of the senses to evoke memories.1-3
In 1964, the Australian researchers Isabel J. Bear and Richard G. Thomas published an article in Nature in which they used the term “petrichor” – petros (stone) and ichor (blood of the gods) – to describe the smell of rainwater on dry earth.4 The olfactory phenomenon, made possible by the atmospheric aerosol documented by the two scientists, originates from the diffusion into the air of essential oils (produced previously by plants) from fungal spores, bacteria and geosmin present in geological material.
More recently, scientists at MIT in Boston demonstrated that a greater quantity of aerosol is produced on porous rocks and when the rain falls slowly rather than quickly, since these conditions give the air trapped in the geological material more time to be vaporised into the air.5
In much less urbanised environments, such as mountains, geosmin prevails over the presence of ozone in the air and is therefore perceived more intensely. This is why that particularly earthy smell is perceived in mountains as soon as it rains. Numerous international studies are analysing the positive effects of petrichor and geosmin on the cerebral activity of human beings. Researchers at the School of Natural Resources and Environmental Sciences in South Korea and at the Department of Neurology and Behaviour at Stony Brook University in New York have concluded that they are capable of generating profound emotions that calm the mind and alleviate anxiety.


— Francesco Meneguzzo, Federica Zabini

Institute of BioEconomy, CNR - Sesto Fiorentino (FI) CAI Central Scientific Committee

  1. D. H. Brann, S. R. Datta, “Finding the Brain in the Nose”, Annu Rev Neurosci. 43, 2020, 277-295. LINK→. PMID: 32640927.
  2. M. Catani, F. Dell’acqua, M. A. Thiebaut de Schotten, “A revised limbic system model for memory, emotion and behavior”, Neurosci. Biobehav. Rev. 37, 2013, pp. 1724–1737. LINK→
  3. G.N. Bratman, et al., “Nature and Human Well-Being: The Olfactory Pathway”, Science Advances, 2024, 10 (20). LINK→.
  4. I. J. Bear, R. G. Thomas, “Nature of Argillaceous Odour”, Nature, 201(4923), 1964, 993–995. LINK→
  5. Y. S. Joung, C. R. Buie, “Aerosol generation by raindrop impact on soil”, Nature Communications, 6, 2015, 6083. LINK→.

Caterina MorigiBio

This work by Caterina Morigi explores the mineral dimension at micro and macro levels as an element of contact between the natural world and the human body, starting from the observation that just as human bones are made up of calcium phosphate so mountains are geological formations of minerals, especially calcium carbonate, the main compound of marble.
In recent years, the artist has collaborated with a number of architectural engineers and researchers of the University of Bologna and Rizzoli Institute of Bologna, engaged on discovering new ways for conserving this material. After establishing that human bones are the body parts that survive the longest and that in particular environmental conditions the organic or mineral part is the best preserved, scientists have analysed its microbiological functioning, observing a series of characteristics that can be taken as an example for the innovation of marble used in sites exposed to harsh weather.
Thanks to these analyses, scientists have developed a series of further studies that go in the opposite direction. Starting from the shells, biocompatible materials that can be used for making protheses or elements to insert into the human body are now in the design phase. From this research and the observation that collaboration between the human world and the natural one can also occur in the mineral sphere, Caterina Morigi has realised the work The Common Skeleton of Things.
The superimposing of images of marble, bone, landscapes and microscopic details of the same raw materials aims to reveal how the sphere of the human and what is other than human – in this case the mineral world – have much more in common at a substantial level than we had imagined, or, indeeed, are fully miscible.

Caterina Morigi

The Common Skeleton of Things, 2024
Stampa diretta su plexiglass, con cornice in alluminio

Courtesy the artist and Studio G7 Gallery, Bologna

From Marble to Bone, From Bones to Marble

In nature, many of the non-living (i.e. stone) and living (such as seashells and bones) materials are formed by mineralization processes, that can last millennia, or just a few hours.

As a result of mineralization, many stones, such as marble and porous limestones are formed, constituted entirely or in part, by one same material, i.e. calcium carbonate (CaCO3). Calcium carbonate determines the characteristics of stones, but is also their main element of weakness. Indeed, although stone is generally regarded as an “eternal” material, in the reality it degrades progressively as a result of the interactions with the environment (rain and sun heat), leading, through the centuries, to the loss of millimeters or even centimeters of stone surfaces.

However, soluble calcium carbonate is somehow similar to the mineral that constitutes our bones, hydroxyapatite (Ca10(PO4)3OH2), which is insoluble and highly resistant. More into details, calcium carbonate can be transformed into hydroxyapatite by simple immersion in a saline solution, thus forming a protective layer on the surface of the stone, protecting it from the aggressive environment and restoring its cohesion.

For this reason, in the past years, several treatments have been developed to transform the surface of stone into hydroxyapatite, to protect it. When hydroxyapatite forms onto stone, it shows a specific morphology, characterized by nanoscale flakes. However, on site, the protective layer can change composition and shape, due to the presence on contaminants in the stone, thus resulting in a flowery-like architecture, which is fascinating, but scarcely protective. For this reason, each specific substrate shall be studied separately, in the lab and on site.

Just like marble, seashells are also constituted by calcium carbonate, so they can also be converted in hydroxyapatite, this time to obtain materials capable of regenerating human bones. Indeed, host cells can progressively degrade and convert into bone any material that resembles its composition, also called biomimetic materials. Upon conversion into hydroxyapatite, seashells can be used to “trick” our bones, by creating artificial bone substitutes that perfectly mimic bones composition and architecture (for instance, by exploiting 3D printing). This triggers host bone, which recognize the substitute as “self”, progressively dissolves and incorporates it, hence making it a part of the human organism.


— Gabriela Graziani

Department of Chemistry, Materials and Chemical Engineering “Giulio Natta”, Polytechnic of Milan

Marzia MiglioraBio

This work emerged from the dialogue with Massimo Bernardi, paleobiologist at MUSE and Alice Labor, and was reaslied during the artist residency Arte a San Leonardo, in the Trentino winery of the same name.
The outlines of Mount Baldo and Mount Lessini stand out in the triptych of drawings. A triumph of marks and interweaving lines flourish in the line below the mountains that recall both the circulatory system and the capillaries present in the human body, as well as the system of rhizomes and roots that traverse a forest floor. Images from a number of human and animal anatomy engravings can be found in this complex system of arabesques and biomorphic and phytomorphic curves, which, for homomorphism, flow into each other, in a consant exchange of meanings, symbols and visions.
Marzia Migliora attempts to narrate the voyage of a more-than-human element, tartaric acid, a precipitate already present in grapes since flowering, that naturally crystallises at the first cold temperatures on the edges of the wine maturation tanks, just when the colour and aromas of the wine are stabilising.
Within this story, the tartaric acid becomes a bridge between the landscape and the human body.
It narrates the constant cycle of this material, which begins in the rocks in the mountains, is then stored in the grapes, and subsequently drunk, becoming part of us human beings. The portrayed result is an image of a great multi-species, vital, pulsating organism that we are part of. A primordial environment in which the lines of continuity and relationships inside and outside the human and non-human body are evident and inevitably produce changes and adjustments in our biological sphere.
Within a broader cycle of research – which has led Marzia Migliora in recent years to explore the relationship between food production, commodities and surplus value of the capitalist model and to the exploitation of human, animal and mineral resources – this work asserts the need to re-think not only cultural, but also economic and productive, paradigms, and a rapprochement with a biocentric and interspecies awareness.

Marzia Migliora

Paradossi dell'abbondanza #61 (La rivoluzione del tempo profondo), 2024
Drawing, transfers, tartar dust embossed on paper, three panels

Private collection. Produced on the occasion of Arte a San Leonardo
Courtesy the artist and Lia Rumma Gallery, Milan/Naples

The Spider Web of Life

Every plant product that we find in various forms and recipes on our tables absorbs and re-processes valuable substances offered by nature, synthesizing them according to their specific primary or secondary metabolism: from water to minerals, from carbohydrates to fats and proteins up to the secondary metabolites, among which vitamins, polyphenols, anthrocyanins and carotenoids. These secondary metabolites, or micro-nutrients, perform vital functions both for plant health and for our organism, protecting us from oxidising agents and reinforcing our immune defences. Tartaric acid is especially abundant in grapes and tamarinds and is so representative that it has been adopted as a standard in analysing the acidity of food liquids.1
That is not all: tartaric acid is an exceedingly interesting product of grape-pomace extraction. Extraction techniques have varying degree of efficiency, depending on temperature, acidity and calcium chloride levels: in any case, significant extraction yields can be obtained, ranging from 50 and 75 grams of tartaric acid per kilogram of pomace.2
Thanks to its antioxidant (acid regulator) and preservative properties, tartaric acid is used widely in various food categories, including dairy products, edible oils and fats, meat and fish-based products, fruit and vegetables, and non-alcoholic and alcoholic drinks. In a modified form, tartaric acid is also used in bakery products, thanks to its capacity to react with sodium bicarbonate to produce carbon dioxide without requiring long, costly fermentation processes. This is why more research than ever is being carried out on more sustainable, efficient and productive pomace extraction methods, since a compound of special molecules hidden in the very hard seeds of the pressed residue can also be relinquished: oligomeric proanthocyanidins. These count among the most antioxidant molecules known in nature.3
From the rocks of the Baldo and Lessini Mountains in Italy, from the subsoil of Mediterranean hills, or even from the rocks of high-altitude mountains, where grapes are cultivated above 1000 metres, the tartaric acid path is long and complex: a spider web of life that from the inert depths of the Earth envelopes every moment of our existence.


— Francesco Meneguzzo, Federica Zabini

Institute of BioEconomy, CNR - Sesto Fiorentino (FI) CAI Central Scientific Committee

  1. C. Venkitasamy, L. Zhao, R. Zhang, Z. Pan, “In Integrated Processing Technologies for Food and Agricultural By-Products”. Elsevier Inc., 2019. LINK→
  2. G. R. Caponio, F. Minervini, G. Tamma, G. Gambacorta, M. De Angelis, “Promising Application of Grape Pomace and Its Agri-Food Valorization: Source of Bioactive Molecules with Beneficial Effects”, Sustainability, 15 (11), 2023. LINK→
  3. F. Nie, L. Liu, J. Cui, Y. Zhao, D. Zhang, D. Zhou, J. Wu, B. Li, T. Wang, M. Li, M. Yan, “Oligomeric Proanthocyanidins: An Updated Review of Their Natural Sources, Synthesis, and Potentials”, Antioxidants, 12 (5), 2023. LINK→