Section 3
In his research, characterised by a multidisciplinary approach, Christian Fogarolli frequently
draws on research and knowledge that come from the worlds of psychology, medicine and archiving,
as well as art. Always interested in exploring mental, social and cultural dynamics at the base
of humankind’s thinking and acting, Fogarolli has realised the work PillPlant, in which
human
and non-human are presented as parts of the same body.
His blown-glass sculptures, which reproduce human organs, limbs and body parts, accommodate
within themselves plants and natural elements of proven therapeutic efficacy.
In fact, recent studies show that contact with natural environments, such as green areas, woods
and forests, results in less incidences of allergy, autoimmune disturbances and high stress
levels and, conversely, an improvement in cardiovascular functions, and in hemodynamic,
neuroendocrinic, metabolic and oxidative indices, as well as in mental processes and psychic
well-being. In these natural or mountainous environments, medicinal herbs and plants are
present: natural products endowed with specific active ingredients that vary in nature:
anti-inflammatory, sedative, tonifying, purifying.
Their use dates way back. In ancient Greece they were the only remedy for treating disorders and
illnesses while, in the late 1700, with the advent of phytotherapy and homeopathy, the
therapeutical importance of these plants was studied. It is also most likely that primitive
Ötzi, in the throes of abdominal pain, consumed ferns in an attempt at self-medication.
Christian Fogarolli
PillPlant, 2024
Blown-glass sculptures, mountain medicinal plants, liquids and various materials
Different dimensions
Plants and extracts provided thanks to the collaboration of NIRIS LAB, Polo Meccatronica,
Rovereto
Courtesy the artist and Alberta Pane Gallery, Paris-Venezia
Mountain Biodiversity
The extreme environmental conditions that typify the mountain environment represent a
great challenge for the organisms that live there. The interaction between climate and
mountains produces an extremely complex environmental heterogeneity that leads to a
greater diversity of species that succeed in adapting to local conditions. The habitat’s
ecological variety, even over short altitude differences, as well as geographic
isolation, means that mountains are important centres of diversification and hotspots of
biodiversity.1
In fact, mountains are home to about a third of the diversity of terrestrial species and
include 30% of the so-called key areas for biodiversity: areas that significantly
contribute to the global persistence of biodiversity and priority regions for
conservation.
Stress forces plants to equip themselves in order to survive adverse conditions. Marked
temperature variations, lower oxygen availability, strong winds, low temperatures and
high solar radiation are all factors that lead to the production of free radicals and
other molecules that are hazardous for cellular structures.
To protect themselves from free radicals, mountain plants produce large quantities of
antioxidant compounds that are capable of reducing the damage caused by them to cells
and vegetal tissue.
This is why concentrations of antioxidant compounds in high-altitude flora are often
greater compared to concentrations in hill or plain plants.2
Only plants of arid, semi-desert agriculture – from pomegranate trees, to almonds to
prickly pears – can compete with the properties of mountain trees. For example, chestnut
wood provides the most antioxidant extracts, followed by the peel of the pomegranate
fruit, and then spruce bark and silver fir twigs.
These remarkable antioxidant properties are highly beneficial for human health, and,
indeed, many mountain plants have high medicinal properties that have been used for
millennia by populations even far from each other, as explained by research scientist
Adrienne Mayor of Stanford University.3 Today, research is
rediscovering these properties and their wider availability, thanks to new extraction
and standardisation technologies. Products extracted from mountain plants can make a
significant contribution towards protecting and controlling some of the focal points of
human health, among which metabolic equilibrium, cardiovascular health,
microcirculation, protection from free radicals, cancer prevention and even male and
female libido.
— Francesco Meneguzzo, Federica Zabini
Institute of BioEconomy, CNR - Sesto Fiorentino (FI) CAI Central Scientific Committee
The Soul of Remedies seeks to raise awareness of the aesthetic
dimension of our current eco-crisis, together with the subtle beauty of biodiversity and the
beneficial power concealed within it. Alpine plants, grass and natural remedies are positive and
negative indicators of the relationship between humans and mountain ecosystems.
The materials sourced in the Swiss Alps comprise medicinal plants such as European blueberry
(Vaccinium myrtillus), nettle (Urtica dioica), fern (Pteridophyta) and lichen
(Letharia vulpina)
but also mineral water essences, obtained by the artist directly from sources in the lower
Engadin valley in Switzerland, and bioindicators such as beeswax and mistletoe. All natural
materials linked to a holistic perception of the mountain environment.
In his research, George Steinmann studies and spreads knowledge of the long-standing tradition
of natural remedies and homeopathic treatment methods
in the alpine culture. This transdisciplinary practice originated after the realisation
that a greater holistic knowledge and sensitivity can boost a sense of responsibility towards
our habitat and the sense of reconnecting with Mother Earth. But also the invitation addressed
to science to broaden its horzon of research, to provide scientific evidence on unexplored
topics.
Mountains as Sentinels
Italy is a mountain country that thinks it is lowland. This false perception gives rise
to many of the natural disasters that afflict the country, such as the neglect of
environments that we literally owe our lives to.
Recent studies, coordinated by Andrea Piotti, a researcher at the Italian National
Research Council (CNR), have demonstrated that the genetic preservation of certain
species of mountain plants from the Alps, Apennines, Pyrenees and Dinaric Alps is one of
the key measures in the attempt to overcome the incipient bottleneck of climate changes
and ecological crisis.1, 2 Silver fir plays a special role
because, thanks to its resilience and capacity to propagate in southern Europe’s glacial
refuges, it is able to guarantee the survival of mountain forests in the face of the
harshest climate changes.
On the other hand, a bush like blueberry, with its small delicate fruit, provides
irreplaceable ingredients for excellent recipes in the kitchen but also for food
supplements with proven efficacy against major diseases, such as venous insufficiency,
microcirculation issues and syndromes affecting vision, for example degenerative
maculopathy.3
Equally, oligomineral waters, an irreplaceable font of minerals for our organism, rise
almost exclusively from mountain springs.
Mountains are sentinels – from their summits you can see further – so it is no surprise
to learn that for several years now both the CNR and the CAI (Italian Alpine Club) have
been carrying out a project whose results will be welcomed by future generations. The
“Rifugi sentinella del clima e dell’ambiente” project4 is a
network of high-altitude monitoring stations in the Alps and Apennines that aims to
grasp in advance, like a real time machine, the signals of climate change, including
Alpine glaciers, and of atmospheric composition, thus enabling us to promptly adopt
measures to counteract them, or at least reduce their consequences.
It will be no surprise either to learn that these stations also monitor the quality of
the night sky. No less than air pollution, light pollution – which also illuminates the
mountain sky from the populous plains – is a pressure as undue as it is dangerous for
the health both of high-altitude plants, grasslands and fauna and of human beings.5, 6
— Francesco Meneguzzo, Federica Zabini
Institute of BioEconomy, CNR - Sesto Fiorentino (FI) CAI Central Scientific Committee
In her practice Paola Anziché creates soft, tactile sculptures stemming from a research process
that explores the potential of art to establish relationships with various cultural spheres such
as anthropology, ancient ritual, bio-architecture and science. Her curiosity prompts her to
travel and enter into contact with different traditions, which she then reinterprets. Manual
work, gesture and an attentiveness to the materials employed, with a special focus on natural
ones, are at the heart of her method, which is also performative and participatory.
Adopting a slow process involving the immersion of coloured natural fabrics in liquid wax, their
drying and subsequent weaving, Paola Anzichè created La terra suona, a soft sculpture
evoking
the form of a large beehive. In this welcoming space, the juxtaposition of delicate colours is
reminiscent of a flowering meadow in spring, the fragrance of which permeates onlookers, acting
on their bodies and minds.
Visitors are invited to lie on a jute rug, the texture of which echoes the hexagonal shape of
beehive cells, and live a multisensorial and therapeutic experience.
Paola Anziché
La terra suona, 2022
Waxed fabric and jute; beehive rug made with jute
Courtesy the artist
Ecosystem Connections, Forests and Eating Habits
Even more so than by human interconnections, by transport and by the Internet, our planet
is strongly interconnected by its most important terrestrial ecosystems: the great
natural or unmanaged forests, now an almost exclusive heritage of the low and high
latitudes, which provide carbon sequestration and climate stability.
A complex study on forest ecosystem networks has shown that if the distance separating
two large forest ecosystems increases beyond a certain limit, for example due to
deforestation, at least one of these ecosystems may precipitate towards extinction,
amplifying the extent of the deforestation itself.1
Furthermore, only unmanaged forests are, via their free evolution, able to optimise the
proportion of old and young trees, allowing the forest itself to prosper and provide all
its services. By contrast, reforestation with young trees does not allow a recovery of
the function of an important mechanism called the “biotic pump”.2,
3 Still subject to research and verification, this mechanism consists in
“recycling” ocean vapour over distances of thousands of kilometres, thanks to complex
effects of moisture transpiration from forests on atmospheric circulation.
It has also been demonstrated that the transition of the human diet from animal protein
to vegetable protein would bring huge savings in the consumption of the ground, water,
and greenhouse gas emissions.4, 5 Obtaining food of animal
origin by means of intensive farming (which is necessary for producing animal feed)
requires a ground and water consumption of between 2.4 and 33 times greater and
generates between 2.4 and 240 times more greenhouse gas emissions than a production
system oriented towards the consumption of vegetable protein alone. The essential reason
is that only 15% of the vegetable protein provided by crops and destined for animal feed
is transformed into equivalent animal protein for human consumption. About 85% of the
original vegetable protein is lost due to normal animal metabolism: only a small part of
the ingested protein is transformed into animal protein, the rest being destined for
other functions of the organism. Directly consuming the vegetables grown allows access
to 100% of the relative proteins as well as the precious bioactive compounds of which
they are rich and that make major contributions to our health. If not the solution to
the climate problem, altering global eating habits is at least necessary in order to
liberate large areas to allocate to the expansion of natural forests, to cut greenhouse
gas emissions and so counter climate change.
— Francesco Meneguzzo, Federica Zabini
Institute of BioEconomy, CNR - Sesto Fiorentino (FI) CAI Central Scientific Committee
Fernando García-Dory is the founder of INLAND, a collective formed in Spain in 2009 to
collaboratively rethink the relationships between rural life and culture. Here he has developed
beehives to protect bees and provide the locals with honey and healthy produce such as propolis
and royal jelly.
An Apiary for the Inland Village forms part of a broader project envisaging the
creation of a
beehive and a cabin as a space of healing and encounter between knowledge and species. A place
where the use of the healing and therapeutic powers of the apiary – driven by the presence of
aromatic wax, honey, pollen and propolis vapours, micro-vibration and the sound frequency of
bees buzzing, a stable physiological temperature and the ionisation of the air – have a
beneficial impact on human beings.
The audio installation presents a soundscape where the sound produced by the bees, which has
healing properties thanks to its frequencies and that science is trying to prove, is
interspersed with a chorus of women engaged in the traditional practice of “telling the bees”
about a death in the family, with a view to avoiding further loss.
In dialogue with the other works present, this one celebrates the force of the bees and the
therapeutic dimension this species manages to generate at different levels, in both the human
sphere and in the biological processes of the natural world.
INLAND / Fernando García-Dory
An Apiary for the Inland Village,
2021
Sound installation
Courtesy INLAND – Campo Adentro
In collaboration with Antooloops
Safeguarding Soundscapes
The human sense of hearing is one of the principal mediators of the beneficial effects
produced by forest immersion. This is arguably further confirmation of the “biophilia”
hypothesis1 secondo cui l’ambiente
naturale, dove Homo sapiens whereby the natural environment in which Homo
sapiens lived for much of our evolutionary history, requires the least effort
to focus,
thus allowing thoughts to flow and a return to ourselves. Natural sounds are capable of
alleviating stress, anxiety and agitation, affecting the parasympathetic activity of the
nervous system, as demonstrated also by an improvement in a number of physiological
indicators, such as the level of skin conductance, and heart rate frequency and
variability.2 The sound of wind through leaves, birdsong and
particularly running water have the power to induce relaxation and well-being,
especially if not “sullied” by artificial noise, whether of a busy street or a chainsaw.
Indeed, in the case of sound stimuli, “environmental coherence” is very important:
namely the absence of disturbing “out of context” factors and, on the contrary, the
presence of expected elements in a forest area (for example, watercourses in mountain
zones; uncontaminated forest sounds; natural or re-naturalised forest structures, and so
on).
The importance of the sound component in contributing to the effects of recovery linked
to visiting natural environments has only been recognised in recent times, partly
because many studies traditionally focused on the visual component. Recent evidence
demonstrates that, in laboratory situations in which sensorial (visual and auditory)
input was isolated, the auditory stimuli were even more efficacious than exposure to
visual stimuli alone.3
As well as sounds produced by trees and running water, the sonorous forest environment
consists in sounds produced by fauna, winged in particular, including bees. Some argue,
although we await convincing scientific proof, that the particular frequencies, between
400 and 500 Hz, of bee humming favour a particular mental and physical relaxation. What
is instead certain is the great benefit produced by the sounds of the forest all
together, so long as not contaminated by artificial noise.4
Acoustic pollution, on a par with that of light, is now ubiquitous and pervasive. The
impact on our health is often underestimated, or at least considered an inevitable
legacy of our urban lives, annoying but unavoidable.
Actually, prolonged exposure to even low-level noise is, in a strict sense, a public
health problem. It has long-term repercussions both on hearing functions and on several
mental functions, such as concentration and memory, contributing to conditions of stress
and therefore increasing cardiovascular risks.
According to the World Health Organization (WHO), 1.6 million healthy life years are
lost every year from traffic-related noise in western Europe. Sleep disturbance, a rise
in the levels of “stress hormones” and oxidative stress in the vascular system and the
brain can favour vascular dysfunction, inflammation and hypertension, increasing risks
of cardiovascular diseases.5
As well as safeguarding increasingly rare natural soundscapes, it is hoped that a focus
on the sound component will become an integral part of “restorative” landscape design,
for example in city parks, so that they may best perform their functions of reducing and
acting as an antidote to stress.
— Francesco Meneguzzo, Federica Zabini
Institute of BioEconomy, CNR - Sesto Fiorentino (FI) CAI Central Scientific Committee
Lucas Foglia grew up on a small farm 50 kilometres east of New York City. His family has always
lived off what it grew and used barter as a means of exchange. They have maintained a special
relationship with nature, shielded from the dynamics of shopping malls and urban contexts. For
the artist, the forest adjoining their farm was a wild land to be explored, a place unknown to
the neighbours who were Manhattan commuters. The relationship between modernity and nature,
between human beings and their habitat – be it natural or manmade – are the fulcrum of all the
American photographer’s research.
Human Nature is a photographic tale, of which eight pictures are on show in the
exhibition. It
explores the relationship between human beings and nature through a multifocal gaze. Sometimes
with irony and other times with a certain melancholy, the images speak of the present and the
future, the need to find a connection with nature and with the wild side that resides in all of
us. Every story is set in a different ecosystem: city, forest, mountain, farm, desert, glacier,
ocean and volcano. Human Nature tells how nature is today both cure and threat at the
same time.
As we spend ever more time at home staring at screens, neuroscientists are demonstrating that
time spent in the open air is vital for human health and happiness. The photographs explore our
need for wild places as therapeutic spaces in the Anthropocene epoch while also reminding us
that as a result of manmade impact they have become formidable, making us vulnerable to storms,
drought, heatwaves and freezing.
Artificial Environments, Mental Health and Natural Solutions
In 2019, 970 million people, that is 13% of the world’s population, were living with
mental illness.1 In Europe, according to the last data
relative to 2016, mental health issues affected one person in six, with a cost of 600
billion euros, or more than 4% of GDP. The most common mental illnesses in European
countries are anxiety disorders (5.4% of the population), followed by depressive
disorders (4.5%) and disorders linked to drug and alcohol abuse (2.4%).2
Mental health issues are a growing problem in urban areas and various studies suggest
that urban life is a risk factor that undermines health and mental well-being.3 City residents have greater probFOGLIAabilities of being
exposed
to environmental stress factors, such as traffic, noise and atmospheric pollution,
which, in their turn, affect the psychophysiological system. At the same time, town
dwellers are less exposed to the natural environment, due in the first place to a
limited availability of green spaces in cities, and therefore to their beneficial and
restorative effects.
Over the last few years, the relaxing and restorative effects of the natural environment
have gradually gained attention, partly thanks to the development of medical measuring
tools that facilitate the accumulation of scientific proof based on physiological
parameters.
Recognition of the health value of “nature-based” practices ultimately offers a major
opportunity to integrate traditional medical care with preventive and therapeutic
practices also accessible to people on a low income – often more prone to the risk of
mental illness.
As well as on individual and public health, these effects are also extremely positive in
terms of saving on healthcare costs. A major study conducted in 2019 demonstrated that,
in terms of the costs avoided for the visitors’ mental health, the overall annual value
of visiting protected natural areas, such as national parks, amounts to approximately 8%
of GDP in the more industrialised countries, i.e. up to a thousand times the budget
assigned to the conservation of those same protected natural areas.4 This is less, but always above the 4%, in less
industrialised countries, where the technosphere is not yet so invasive, although in
inexorable expansion.5
— Francesco Meneguzzo, Federica Zabini
Institute of BioEconomy, CNR - Sesto Fiorentino (FI) CAI Central Scientific Committee
Zora Kreuzer’s research is focused on colour and explores the aesthetic and conceptual potential
that arise from its use. Through works of an environmental nature, in which pigments and colours
are placed to dialogue with light, the artist leads spectators into immersive and multi-sensory
experiences. Formally minimal but technically based on a principle of dynamics, her works are
developed from the phenomenon of electromagnetic radiation, exploiting a wavelength between 380
and 760 nanometres, in other words light that human vision can perceive. Perceptive and
physiological effects, such as flickering colours (via juxtaposing highly contrasting colours),
the appearance of after-images (after prolonged observation of a colour, its complementary
colour becomes visible when we close our eyes), or the perceived reduction in colour intensity
when the eyes become accustomed to it, are only some examples of phenomena that repeatedly occur
when observing her site-specific works.
The mixing of values such as intensity, tonality, nuancing and temperature – skilfully codified
by the artist – restores a fluid visual dimension, in which the feeling of observing a
constantly evolving nuance is perceptible.
In the installation Green Room, Zora Kreuzer intervened on the walls of the space with
a coat of
green paint, whose refraction is emphasised by the use of ultraviolet light transmitted by a LED
lamp.
Produced as part of the research conducted by scientists of the Neuroscience Institute Cavalieri
Ottolenghi of the University of Turin on the impact that the colour green has on human beings,
the work was conceived as a sort of colour bath.
Green Room artificially proposes an accentuated experience of the perceptive and
sensorial
stress we are subjected to when we observe and come into contact with the colour green, which is
present in a natural contest, as in mountains. The work raises a series of questions to which
science is attempting to respond: how do our senses react when we come into contact with green?
How does this colour, in all its gradients, affect our psycho-physical well-being? After how
long is it possible to detect an alteration in our vital parameters in response to being exposed
to it? And for how long? What kind of scenarios does scientific confirmation of such a positive
relation open up?
Zora Kreuzer
Green Room,
2024
Dispersion paint on wall, ultraviolet light, LED lamp
Courtesy the artist
Our brain interprets different wave lengths of visible light as colours. In our daily
life, we are used to associating important information about our surrounding environment
with colours: for example, if we see a red berry we are inclined to think it is
poisonous and so dangerous for our health. Colours, therefore, guide our attention and
choices, helping us to survive. It is an ancestral trait, but our brain still does
everything it can to detect and identify them.
Colours are also capable of triggering emotions and conditioning our mood and state of
well-being. In particular, “cold” colours (such as green and blue) induce a relaxing
effect that entails real physiological changes. For example, we know that immersing
ourselves in nature brings us an immediate feeling of psycho-physical well-being. Until
a few years ago, this concept was based solely on empirical observations, but today
scientific evidence demonstrates that exposure to natural environments can generate real
changes in our body, such as modifications in our blood pressure, heart rate and immune
system functioning.1 However, effects on our mental health
are even more evident: being immersed in greenery triggers feelings of happiness and
well-being and reduces anxiety and depression, modifying our levels of
neurotransmitters, hormones and molecules responsible for stress.2 This is why doctors and surgeons often wear green or blue,
in an attempt to put their patients more at ease. Furthermore, wearing lenses that
filter certain colours can change our electroencephalographic waves and reduce
anxiety.3 These physical reactions are also borne in mind by
advertising agents in the so-called “neuromarketing” field, a branch of marketing that
studies the cognitive aspects of consumers in order to influence their preferences and
acquisitions. Furthermore, phototherapy can have effects on circadian rhythms, on the
expression of GABAergic or glutamatergic cells and on the perception of pain.4 Green spaces in cities are associated with positive
emotions, mindfulness and relaxation.
But it is not only looking at and contemplating greenery that gives us a sense of
relaxation whenever we walk through woods. It has now been established5 that some plants can release volatile substances called
terpenoids and terpenes (among which pinene and limonene), capable of inducing
beneficial responses throughout our body, which underlie the effects of forest bathing.
As well as showing strong antioxidant and anti-neuroinflammatory activity, some of these
substances also seem to be neuroprotective.6
Attempting to harness the benefits of immersion in greenery even for people who have no
direct access to nature, virtual multisensory “immersive” technologies might become ever
more relevant.
— Marina Boido e Alessandro Vercelli
Neuroscience Institute Cavalieri Ottolenghi, University of Turin